Four producing samples representing the full range of what I want to make: a prestige espionage limited series set across Hong Kong and Singapore, a dark comedy whodunnit at a corporate wellness retreat, a micro-budget psychological horror short, and a documentary I made in 2021 about three student deaths on my own campus. Each one tries to answer the same question from a different angle: what does it actually cost, creatively and humanly, to make something that matters?